ES-175s were more traditional, with a carved-rosewood floating bridge and separate tailpiece. Then there’s the rather obvious difference in bridge and tailpiece design. The first ES-295s appeared in 1952, but the ES-175 didn’t get a second pickup until 1953. Family resemblance The cloverleaf pickguard motif is one of the most iconic features of the ES-295Īlthough the ES-295 is widely regarded as simply a gold-finished ES-175 with cream pickup covers and a cloverleaf pickguard, there’s a little more to it than that. His wife sent the guitar back to Les, and Mary Ford was later seen playing one. The guitar, with the serial number A-9196, appeared in Gibson’s logs on 4 December 1951 and was sent to the hospital, but sadly, Davis had passed away before it arrived. Outside, a doctor told Les that Davis’ case was terminal, so he called Ted McCarty and said he needed “a guitar right now – take an ES-175 and paint it gold”. Les promised he could have any guitar made for him and Davis requested a “golden archtop”. He and Mary Ford were playing a gig for war veterans in Wood Hospital, Milwaukee and met a guitar-playing patient called Dean Davis. Les Paul claimed responsibility for dreaming up the ES-295 concept in the first place. Other notable users include Geordie Walker of Killing Joke, Johnny A and one of this writer’s favourites, Diego Garcia – aka El Twanguero. Later on, Danny Gatton was certainly partial to his ES-295, and he turned a young Joe Bonamassa onto them, too.
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